Culture as Class Symbolization or Mass Reification? A Critique of Bourdieu's Distinction
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Bourdieu and Darbel's classic study of European art museum audiences, The Love of Art (1991), remains one of the most influential academic studies of the social indices of art perception. Its findings were central to Bourdieu's on-going study of culture-mediated power relations, as found in the book Distinction (Bourdieu 1984), as well as social surveys of the behaviour of museum audiences acro...
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تاریخ انتشار 2008